Valencia Fashion Week

Anel Yaos

COLLECTION ROHUMINE

In ROHUMINE, the inspiration comes out of a character without sex, who is onwards taking shape and takes the prominence of the woman, to keep the man in the background, though it will not stop surprising either.

The fabrics with flower patterns do not represent this so common side of placing flowers to the spring; not even the metallic applications come inspired by the great genius Paco Rabanne, although I can stay with him, who in the middle of the nineties brought out a line of unisex clothes; neither the flounces and meters of tulle to a traditional inspiration of my habitat; nor the crowns and necks of flowers to this more dismal side … … everything goes beyond, nothing is so obvious as it can be seen or reflected.

The oppression is the initial point, the oppression of the past and in the one we are subjected to in the present. The character who takes the tendency of this collection at the same time can relieve the distress of looking for an own way of expression that represents how he feels in certain moment, and that when wearing it, it does not belong to a particular group to be accepted, but to a unique group.

From here the collection starts to take shape, and to use metallic pieces both in the garments, as in accessories, which at the same time that oppresses, it can make the individual to feel protected when wearing it. This collection also presents corset and tied shapes, for the oppression that the woman had with the corset during centuries for being the social difference of this one, and although Paul Poiret eliminated it of the feminine wardrobe during a few decades, he has finished working with other garments, and in ROHUMINE as well, where the man symbolizes it and the woman is stayed out of all this.

In this collection garments as gabardines; caps, skirts and garments with thousands of tulle caps become important, giving a volume and a different perspective, very subtle and transparent garments where it is possible to express the freedom of oppression; fabrics worked with smocking where it leaves a lot of hidden mystery in the fabric without knowing what it really hides; knit garments symbolizing nets that oppress us, and these printed fabrics of flowers, and crowns, necks and jasmines, hydrangeas and peonies applications, which give it the freedom, the smell, or the no fear to death, where it is often the way of escaping.

Everything in a range of land color, beige, greens and very natural colors, where once again the color is not where it is wanted to call the attention, but in the piece as a whole.

Photos